Hmmmmm, let’s see. Watching all of these bad movies is bad for my health, because the last thing I remember was seeing a vampire and him telling me I was going to become his ghoul … what the hell does that mean? Can you help me remember what happened in Vampire in Brooklyn?
Pop Quiz Hot Shot!
1) Why does Eddie Murphy’s character Max go to Brooklyn in the first place?
2) During the film everyone is on tenterhooks concerning Rita’s mental state. Why?
3) What does Rita think happened to her father?
4) During his attempts to woo Rita, Max saves her life twice. From what does he save her?
5) What can’t Rita do (according to the vampire hunter Justice talks to) before Max is killed in order to make sure Rita can return to her mortal human form?
BONUS: Julius loses four body parts as Max’s ghoul. Name them.
Jamie stares, mouth agape, as Santa recounts his gritty origin story. Long ago the Coca-Cola Corporation devised an advertising scheme around a jolly man in a red suit. Unbeknownst to them this was the final stage of a dark prophecy that brought him forth from Hell into this world. However, a family of elves took pity on the vile creature and decided to use him for good instead of evil. While Santa has struggled with why he was preserved and let loose on the other monsters of the realm, using his well-oiled muscles to rip them to shreds, he has come to terms with his terrible power… with that Santa takes a long satisfying sip of a Coca-Cola and looks at Jamie, who is weeping uncontrollably. Suddenly Patrick has an idea, “wait, Santa. Did you say that the Coca-Cola Corporation created you in this world using an advertising scheme in our world?” Santa nods, “and it was a truly terrible advertising scheme at that. Craven capitalist cynicism,” he says with a look of disgust on his face. Disgust that can only be washed away by the refreshing taste of a delicious Coke. Patrick shakes Jamie out of his stupor, “Don’t you see? It was within us the whole time.” Jamie nods, “You mean love?” Patrick shakes his head, “no, not love. Something even better. Bad movies. Rich and Poe aren’t here yet because our first film was a wild critical success.” Jamie’s eyes alight, “My god, a sequel… but how do we get back home so we can write it?” Patrick ponders for a second and remembers the great power he tapped into in order to save Santa. He reaches for it again, but this time the query fails. “You try,” he tells Jamie, but within him there is no light… he can only see the one in Patrick. He reaches for that and *pop* they are back in their apartment. They stare in wonder and clap hands in a manly bro hand hug. Time to get to work. They don their cable-knit sweaters, hop in their Volvo and head to Brooklyn. That’s right! We’re transitioning from the Worst Films Ever Rejects into a cycle consisting of films that Siskel and Ebert put on one of their end of year worst films lists. These leads us right to another Eddie Murphy special with Vampire in Brooklyn, his attempt to cash in on that sweet vampire money. This is also the second film where Murphy played multiple roles. In this case Maximilian, Preacher Pauly, and Guido… well that already sounds offensive. Let’s go!
Vampire in Brooklyn (1995) – BMeTric: 68.5
(Very consistent across the years, and impressively low. Heartening. While I knew of this film obviously, it is nice to see it have a bit of cred among the people.)
Leonard Maltin – 2 stars – Sleek Caribbean vampire Murphy, to perpetuate his race, needs to persuade Brooklyn cop Bassett that she’s his soul mate. Oddball film has Murphy cracking jokes, but he’s thoroughly evil; on the other hand, it’s not scary enough to work as a horror film … and it’s overlong, to boot.
(Ah classic. This is my problem with almost all multi-genre films. It seems like it isn’t a good comedy, or a good horror film. I find that a lot of these types of films are graded on a curve as a good-for-what-it-is in that much smaller (and worse) sub-genre. There are exceptions though, like Shaun of the Dead.)
(Yeah doesn’t seem very funny. Just a bunch of corny vampire jokes. And Maltin seems to be correct, it seems kind of too true to vampire lore to be anything but a horror film in spirit.)
Directors – Wes Craven – (Known For: Scream; A Nightmare on Elm Street; Scream 4; Scream 2; Red Eye; The Last House on the Left; The Hills Have Eyes; The People Under the Stairs; Swamp Thing; Paris, je t’aime; New Nightmare; The Serpent and the Rainbow; Music of the Heart; Future BMT: My Soul to Take; Cursed; The Hills Have Eyes Part II; Scream 3; Shocker; Deadly Blessing; BMT: Vampire in Brooklyn; Deadly Friend; Notes: An original of the slasher genre, and is credited with bringing it back with the self-referential Scream series. Died in 2015.)
Writers – Eddie Murphy (story) – (Known For: Coming to America; Beverly Hills Cop II; Boomerang; BMT: Norbit; Vampire in Brooklyn; Another 48 Hrs.; Harlem Nights; Razzie Notes: Winner for Worst Screenplay for Harlem Nights in 1990; Winner for Worst Actor, Worst Supporting Actor, and Worst Supporting Actress for Norbit in 2008; Winner for Worst Actor of the Decade in 2010 for I Spy, Imagine That, Meet Dave, Norbit, Showtime, and The Adventures of Pluto Nash; Nominee for Worst Director for Harlem Nights in 1990; Nominee for Worst Screenplay, and Worst Screen Couple for Norbit in 2008; Nominee for Worst Actor in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; in 2009 for Meet Dave; in 2010 for Imagine That; and in 2013 for A Thousand Words; and Nominee for Worst Screen Couple in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; and in 2009 for Meet Dave; Notes: Y’all know Eddie Murphy. It actually does seem like Coming 2 America is happening. So maybe Beverly Hills Cop 4 will as well.)
Vernon Lynch (story) – (BMT: Vampire in Brooklyn; Notes: Half-brother of Eddie Murphy. This was a truly a family affair.)
Charlie Murphy (story) (as Charles Murphy & screenplay) (as Charles Murphy) – (BMT: Norbit; Vampire in Brooklyn; Razzie Notes: Nominee for Worst Screenplay for Norbit in 2008; Notes: We did it. Interestingly it feels like whenever Murphy is looking to be on the ropes he dusts off a script he and his brother wrote. This was the end of a long fall which ended with a tack to family friendly films with the Nutty Professor. Norbit kind of marks the end of Murphy’s second leading man career.)
Michael Lucker (screenplay) – (Known For: Spirit: Stallion of the Cimarron; Home on the Range; BMT: Vampire in Brooklyn; Notes: Wrote a bunch of those direct-to-video sequels to Disney films back in the days. Seems to produce now.)
Chris Parker (screenplay) (as Christopher Parker) – (Known For: Heaven Is for Real; BMT: Vampire in Brooklyn; Battle of the Year; Notes: Appears to maybe be doing uncredited writing for animated films. There is little about him online.)
Actors – Eddie Murphy – (Known For: Mulan; Trading Places; Shrek; Coming to America; Beverly Hills Cop; Shrek 2; Doctor Dolittle; Shrek the Third; Shrek Forever After; Beverly Hills Cop II; The Nutty Professor; Life; Dreamgirls; Boomerang; 48 Hrs.; Tower Heist; Bowfinger; Dr. Dolittle 2; Imagine That; Future BMT: Nutty Professor II: The Klumps; The Haunted Mansion; Meet Dave; Holy Man; Showtime; Daddy Day Care; Metro; The Distinguished Gentleman; BMT: Norbit; The Adventures of Pluto Nash; Vampire in Brooklyn; I Spy; Beverly Hills Cop III; Another 48 Hrs.; The Golden Child; A Thousand Words; Harlem Nights; Razzie Notes: Winner for Worst Screenplay for Harlem Nights in 1990; Winner for Worst Actor, Worst Supporting Actor, and Worst Supporting Actress for Norbit in 2008; Winner for Worst Actor of the Decade in 2010 for I Spy, Imagine That, Meet Dave, Norbit, Showtime, and The Adventures of Pluto Nash; Nominee for Worst Director for Harlem Nights in 1990; Nominee for Worst Screenplay, and Worst Screen Couple for Norbit in 2008; Nominee for Worst Actor in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; in 2009 for Meet Dave; in 2010 for Imagine That; and in 2013 for A Thousand Words; and Nominee for Worst Screen Couple in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; and in 2009 for Meet Dave; Notes: Apparently Pete Davidson bought a vintage magazine featuring Eddie Murphy for $45 the other day … fun.)
Angela Bassett – (Known For: Bumblebee; Black Panther; Mission: Impossible – Fallout; Contact; Kindergarten Cop; Mr. & Mrs. Smith; Meet the Robinsons; Olympus Has Fallen; Boyz n the Hood; Malcolm X; Strange Days; What’s Love Got to Do with It; The Score; Notorious; White Bird in a Blizzard; Chi-Raq; Waiting to Exhale; Akeelah and the Bee; F/X; How Stella Got Her Groove Back; Future BMT: Supernova; Meet the Browns; Green Lantern; Survivor; Masked and Anonymous; Innocent Blood; Gospel Hill; BMT: Vampire in Brooklyn; London Has Fallen; This Means War; Notes: She’s done some voice work for Bojack Horseman. Nominated for Best Actress for What’s Love Got to Do with It.)
Allen Payne – (Known For: The Perfect Storm; New Jack City; Jason’s Lyric; CB4; A Price Above Rubies; 30 Years to Life; Future BMT: Crossover; Cookie; The Walking Dead; BMT: Vampire in Brooklyn; Notes: Vegan. One of the star of House of Payne, appearing in 170 episodes.)
Budget/Gross – N/A / Domestic: $19,751,736
(That seems really low. I imagine Eddie Murphy was getting paid multiple millions of dollars to appear in it, so almost definitely a bomb.)
(This is what I mean, I don’t really get why they are trying to make horror-comedies happen. Blank-comedy as a genre is a cool idea. When done right it is brilliant as it is able to skewer the non-comedy genre like nothing else can (see Cabin in the Woods, Shaun of the Dead, and Hot Fuzz). But they are obviously really hard to make. Making a horror film is hard. Making a comedy is really hard. Doing both at the same time is double hard. I literally think Cabin in the Woods is the last good one from that Box Office Mojo list.)
(We might as well ignore that graph, the giant bump is just Twilight and the copycats there. Interesting nonetheless.)
Rotten Tomatoes – 10% (3/29): Neither scary nor very funny, this misguided effort never lives up to its premise.
(Yeah, see. The double genre ploy almost never works … except for Marvel films which manage to be not very funny comedies and just ok action films, but people kind of accept those as “good” action-comedies.)
(I think my favorite genre of film poster is the “I’m a giant star poster.” Best recent example was The Mummy, which made it seem like Tom Cruise was the titular mummy. Here we get more a story with the moon and the cityscape, but let’s not get it twisted. It’s the Eddie Murphy show and I’m excited.)
Tagline(s) – A comic tale of horror and seduction. (D)
(A lot of genres being thrown around. So it’s a comedy-horror-romance? Cool cool cool. In fact we don’t learn much about the film other than three very broad genres. Also as bland as you can make it.)
Keyword(s) – vampire; Top Ten by BMeTric: 89.1 Vampires Suck (2010); 87.7 BloodRayne (2005); 81.8 Ultraviolet (2006); 78.0 The Twilight Saga: New Moon (2009); 72.1 The Twilight Saga: Breaking Dawn – Part 1 (2011); 69.8 Stan Helsing (2009); 69.1 The Twilight Saga: Eclipse (2010); 68.5 Vampire in Brooklyn (1995); 64.1 Dudley Do-Right (1999); 63.9 Dracula 2000 (2000);
(Wowza. We need to up our vampire game … although to be fair I’ve seen all of the Twilight films in my free time (my life!) so it really is just a matter of doing a re-watch.)
Welcome to Earf (HoE Number 18) – The shortest path through The Movie Database cast lists using only BMT films is: Eddie Murphy is No. 1 billed in Vampire in Brooklyn and No. 1 billed in Harlem Nights, which also stars Richard Pryor (No. 2 billed) who is in Superman III (No. 2 billed), which also stars Annette O’Toole (No. 5 billed) who is in Here on Earth (No. 7 billed) => 1 + 1 + 2 + 2 + 5 + 7 = 18. If we were to watch The Black Dahlia we can get the HoE Number down to 15.
Notes – Sonja Davis, Angela Bassett’s stunt double, died in an accident on the set. (Oh no, I forgot about this. Very sad).
On The Directors (1997), Wes Craven suggested that Eddie Murphy ignored his requests to play the character vulnerable, and felt compelled to showcase his comedic talents. (Wait a second! Later on in an interview Charlie Murphy claimed Wes Craven wanted it to be a comedy!)
Final film of Ray Combs. He died soon after.
In a November 2011 interview with “Rolling Stone”, Eddie Murphy stated that he made this movie for one reason: Paramount agreed to release The Nutty Professor (1996)’s rights in exchange for finishing his deal with the studio. Murphy also said that the wig his character wore was so awful it immediately made people despise the film. (Huh, interesting. So Murphy had the idea to basically reinvent his career prior to making the film. And then probably used his script to finish things off, see the next note).
Eddie Murphy wouldn’t write another story until Norbit (2007), twelve years later. Interestingly, his co-writer of both movies was his brother Charlie Murphy. (Yeah, again, I think they write scripts and then just leave them aside until the point where they are desperate to get something going. Murphy had had a few bad misses leading up to this).
According to Charlie Murphy, the movie was meant to be a straight horror movie with no laughs but Wes Craven brought a different focus to the film. (This contradicts the above note. I’m not sure which one I believe. This might seem unlikely, but Craven would use humor in Scream to satirize the slasher genre in Scream only a few years later)
This is Angela Bassett’s second vampire movie. She previously starred in Innocent Blood (1992). Bassett would also play a vampire many years later in season 5 of American Horror Story (2011). (That is actually kind of a fun fact)
First horror-comedy for Eddie Murphy. He would star in The Haunted Mansion (2003) eight years later. (Ooooooof, neither of those were particularly good).
“Veder” loosely translates to “Vater”, which means “Father”, in German, foreshadowing Ritas father was a vampire. (Darth Vader)
Patrick and Jamie look through binoculars at their prey. Santa is happily carving a toy for a child amongst his elf friends in the BMTverse’s North Pole. Poor bastard. Jamie leans back, “I’m not even sure why you’re here,” he says and Patrick squints at him in confusion. Jamie shrugs and snaps into a slim jim, “I mean, I was the one that told the troll I would do him a favor. Not you.” Patrick smiles and sends Jamie to start on a Santa trap. Patrick needs time to think. Hours pass, sweat drips down his brow, but Patrick can’t think of a way to save Santa. In his calm he withdraws deep within himself and finds a light. Reaching for it he suddenly has access to a great power. “I need something to save Santa,” he thinks and a large amount of silk from the rare Siberian Silkworm winks into existence. Thinking quick he used his twin powers to construct a flawless (but highly illegal) Santa costume and dons the disguise. Looking up he is horrified to see Jamie having completed an elaborate tiger trap and Santa bumbling his way towards it. Using his preternatural speed, Patrick is able to tackle both he and the real Santa into the trap. The troll comes cackling forward, but is confused by the appearance of two Santas. Who should he shoot?! He points his gun back and forth and the hesitation is enough for Jamie to trip the troll right back into the tiger trap. Hooray! With the troll dispatched, Jamie, Patrick, and Santa sit around the fire with some delicious Coca-Colas. Patrick is distracted by the discovery of the great power within, but Jamie is ready for some magical tales of wonder. “Santa, where did you come from?” he asks and Santa smiles a jolly smile. “Oh ho ho ho, that’s an interesting story, my boy. Well, I guess it started when I was born… IN HELL.” Bum bum bum. That’s right! It’s the first BMT Live! of the year after a … frankly it was a shockingly light bad movie winter season. Here’s to watching an unnecessary reboot and to a hopefully bumper crop of bad movies in the spring season. Let’s go!
Hellboy (2019) – BMeTric: 42.5
(That rating actually look right. I think it’ll perk up a bit in three months once non-Hellboy fans get a hold of it, they won’t care about some of the most nitty-gritty issues with the film as related to the comic or the Del Toro versions.)
RogerEbert.com – 1.5 stars – Individually, Harbour might have a humorous moment or two with his co-stars, but decreasingly so as the movie staggers toward its messy, cacophonous end. And it just will … not … end. After an overlong two-hour running time, “Hellboy” suggests optimistically that it’s the start of its own franchise, but it will probably end up stuck in purgatory instead.
(Long and boring! Noooooooo. I don’t want to see a long and boring film in theaters! But I must. You guys owe me.)
(The “Sorry, my bad” joke in the beginning is obvious and dumb. And the reset looks … loud and incoherent? I have a feeling the soundtrack is an abomination.)
Directors – Neil Marshall – (Known For: The Descent; Dog Soldiers; Doomsday; Centurion; Tales of Halloween; BMT: Hellboy; Notes: Most famous for directing some of the most notable Game of Thrones episodes (Blackwater, and The Watchers on the Wall).)
Writers – Andrew Cosby (screenplay by) – (BMT: Hellboy; Notes: Created the television series Eureka. Created BOOM! Studios which is a comic book publisher.)
Mike Mignola (based on the Dark Horse Comic Book “Hellboy” created by) – (Known For: Hellboy; Hellboy II: The Golden Army; Batman: Gotham by Gaslight; BMT: Hellboy; Notes: Created the comic. Apparently he handed off the spin off series (B.P.R.D.) which has recently ended. I don’t think there is a current active Hellboy series, although it is unclear.)
Actors – David Harbour – (Known For: Brokeback Mountain; The Equalizer; War of the Worlds; Quantum of Solace; Revolutionary Road; A Walk Among the Tombstones; The Green Hornet; End of Watch; Black Mass; State of Play; Snitch; Kinsey; X/Y; Parkland; The Convincer; Future BMT: Sleepless; Suicide Squad; Every Day; Awake; W.E.; Knife Fight; Between Us; BMT: Hellboy; Notes: Been around for a while obviously as a character actor, but has rose to a new level of fame as one of the stars of Stranger Things.)
Milla Jovovich – (Known For: The Fifth Element; Dazed and Confused; Zoolander; Chaplin; Paradise Hills; A Perfect Getaway; He Got Game; Stone; The Claim; Dummy; Future BMT: Resident Evil: Retribution; Future World; Return to the Blue Lagoon; Resident Evil: The Final Chapter; Anarchy: Ride or Die; Survivor; Two Moon Junction; Resident Evil: Afterlife; The Fourth Kind; No Good Deed; The Million Dollar Hotel; Resident Evil: Apocalypse; Kuffs; Resident Evil: Extinction; Joan of Arc; Bringing Up Bobby; Shock and Awe; A Warrior’s Tail; Resident Evil; Dirty Girl; BMT: Ultraviolet; Zoolander 2; Hellboy; The Three Musketeers; Razzie Notes: Nominee for Worst Actress in 2000 for Joan of Arc; and in 2013 for Resident Evil: Retribution; Nominee for Worst Supporting Actress for The Fifth Element in 1998; and Nominee for Worst New Star for Return to the Blue Lagoon in 1992; Notes: A bad movie all-star! Her recent big budget fair has mostly been via collaboration with her husband Paul W. S. Anderson who directed four of the six Resident Evil films.)
Ian McShane – (Known For: John Wick; John Wick: Chapter 2; Snow White and the Huntsman; Hercules; Coraline; Jack the Giant Slayer; The Golden Compass; Kung Fu Panda; Shrek the Third; The Sorcerer’s Apprentice; Death Race; Sexy Beast; Battle of Britain; We Are Marshall; Scoop; Performance; Cuban Fury; Bilal: A New Breed of Hero; The Last of Sheila; Nine Lives; Future BMT: Agent Cody Banks; The Hollow Point; Grimsby; Case 39; Pottersville; Hot Rod; BMT: The Seeker: The Dark Is Rising; Hellboy; Pirates of the Caribbean: On Stranger Tides; Notes: He’s been all over the place, but his cameo in Game of Thrones and starring role in Deadwood before that suggests he’s really but more famous on the small screen in the later career,)
Budget/Gross – $50 million / Domestic: $19,676,271 (Worldwide: $19,676,271)
(This is going to be a huge disaster, especially with Avengers: Endgame coming out in a week. Completely screwed and might kill the film franchise. Interestingly the comic series apparently came to a disastrous end just this week … so Hellboy legit might be completely dead as a media item which is crazy.)
(This I think will end up near R.I.P.D. which is crazily mid-table for BMT in this sub-genre. Obviously Marvel/Disney has been dominating this recently with Black Panther having an insane $700 million domestically.)
(I guess this is different than the previous one … it is obviously taking off recently with the recent Marvel/Disney succuesses.)
Rotten Tomatoes – 14% (25/174): Bereft of the imaginative flair that made earlier Hellboys so enjoyable, this soulless reboot suggests Dante may have left a tenth circle out of his Inferno.
(The reviews are eviscerating basically calling the film a big void filled with action set pieces. This is an astonishingly low percentage, might just end up being the lowest score for a big budget film for the year. Reviewer Highlight: Watching the “Hellboy” reboot is like eating a rice cake – you don’t feel bad afterward, but at the same time you’re not entirely sure you really experienced anything at all. – Matthew Rozsa, Salon.com)
(Points for the font done in an interesting way (behind the horns, like a physical thing in the poster), deduction for kind of having a flat color, we get it he’s the devil. I think much like what the critics said about the film, it is mostly blah, but I’ll give it a little bump because I think it looks more cool that silly which I guess is what you want.)
Tagline(s) – Give Evil Hell (C-)
(I don’t think I like it. It doesn’t tell you anything, and it is definitely the “clever” product that came out of a writers’ room. But it does have that kernel of cleverness, so I won’t just give it an F.)
Keyword(s) – based on comic; Top Ten by BMeTric: 94.6 Batman & Robin (1997); 85.9 Fantastic Four (2015); 71.0 The Spirit (2008); 69.7 Steel (1997); 65.9 Teenage Mutant Ninja Turtles III (1993); 62.0 Virus (1999); 61.7 Monkeybone (2001); 61.5 Transformers: The Last Knight (2017); 59.5 Red Sonja (1985); 59.3 Spawn (1997);
(Smashing it. I’ve seen The Spirit, which I’m sure I’ve mentioned in this section before. That film is completely incomprehensible garbage.)
Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: Milla Jovovich is No. 2 billed in Hellboy and No. 1 billed in Ultraviolet, which also stars Cameron Bright (No. 2 billed) who is in Godsend (No. 4 billed), which also stars Rebecca Romijn (No. 2 billed) who is in Rollerball (No. 3 billed), which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 2 + 1 + 2 + 4 + 2 + 3 + 1 + 2 = 17. If we were to watch Joan of Arc, Hook, Jack, and The Glass House we can get the HoE Number down to 15.
Notes – In mid 2012, Ron Perlman once again endured the 4-hour makeup routine required to transform him into Hellboy – not for a sequel or other acting job but to fulfill the Make-A-Wish request of a six-year-old boy named Zachary who has leukemia. Creature effects house Spectral Motion, who had worked on the two previous Hellboy films, applied Perlman’s Hellboy makeup (and later, also made up Zachary as Hellboy as well), so that Zachary could spend the day hanging out with his favorite superhero. Guillermo del Toro was so touched by this event that it inspired him to start production on Hellboy 3. However, the project was announced to be cancelled and this reboot’s development started soon after.
Following the success that Deadpool had in getting the movie made through social media, Ron Perlman tweeted a proposal that if #HellboyIII started trending that a third Hellboy film might finally get funds to be made.
In February 2017 Guillermo Del Toro stated “Spoke with all parties. Must report that 100% the sequel will not happen.” (I think these first three completely exemplify the weird relationship between the Hellboy franchise and its audience. It never really made money, but the hardcore fans believe in their hearts it would if given the chance. Spoiler alert … it wouldn’t, that film will never be made)
The VFXperts cite the Mike Mignola comics as a visual influence on the film’s creatures, and sought to avoid reference to the Guillermo del Toro films. Joel Harlow explained that as monsters, “their look is entirely nonhuman and very frightening, it’s a glimpse into a world of beings that do not follow the anatomical laws of anything on Earth.”
Mike Mignola takes a more direct involvement in the production of this film than he did on the Guillermo del Toro Hellboy films. According to him, the idea with this one was to downplay the superhero elements in the film and stay closer to the darker tone of the graphic novels, making a much more horror-oriented entry into the franchise. (Interesting. Recipe for a disaster, puts too much power into a single person to go ahead an F it up)
On August 21, 2017, Ed Skrein was cast as Major Ben Daimio in the film. However, upon discovering that Daimio was portrayed in the comic books as a Japanese-American character, Skrein announced a week later that he was pulling out to allow an actor of Asian heritage to be cast instead.Skrein’s decision marked the first time a white actor had left a high-profile role after such criticism according to The Hollywood Reporter. (First, bullet dodged for him. Second, I completely forgot about this, what a terrible look)
The movie originally began production as the second sequel to 2004’s Hellboy after The Golden Army, but Creative Differences led to Del Toro and Perlman both leaving, thus causing a long hiatus until it was decided to reboot following the rise of R-rated superhero movies. (There is no way they would have made a third film quickly, The Golden Army didn’t make that much money and Del Toro probably didn’t want to rein in the budget)
The movie’s title was Hellboy: The Blood Queen initially, before reverting to simply Hellboy. (I like the original better)
Hellboy claims he is a Capricorn. According to the comic, he was born in October 5, which makes him a Libra. (BOOOOOOOOOOO)
Doug Jones, who played Abe Sapien in the Guillermo del Toro Hellboy films, was offered a cameo but was unable to participate due to commitments to Star Trek: Discovery (2017). (He’s great in Discovery)
Levin interrupted Marshall frequently in front of the crew as Marshall tried to rehearse actors, sometimes giving them different directions than the director. Singer’s attorney disputed that: “In fact, Mr. Levin would speak to Neil Marshall after rehearsals and discuss issues with him at that time.” (Sounds pleasant)
Harbour repeatedly walked off set, refusing Marshall’s requests for more takes. Singer responded for Levin: “My client has no recollection of that ever happening. To the contrary, David Harbour gave everything he was asked of and more during filming.” (Sounds pleasant)
The script was re-written throughout the production. One said those doing the rewriting included actors Harbour and co-star Ian McShane. Singer responded: “Only a few scenes were rewritten during production, and neither David Harbour nor Ian McShane did any rewriting of the screenplay at all. Rewriting certain scenes of a movie during production is customary in the entertainment industry, including by actors, producers, writers and directors.” (Sounds fucking pleasant)
Jamie and Patrick slowly circle the mailman twins looking for an opening. Despite whirling backflips and patented twin chops they find that their opponent’s twin power is strong and every move is deftly countered. Tiring, Jamie and Patrick know what must be done. With lightning quickness they transition from a simple high five into a capoeira-inspired gymnastics-dancing-kung fu move. Flying into the air, feet akimbo, Jamie it able to connect, leaving their opponents shocked. The mailman touches his bloodied face and knows that this is the end of the battle. Blood has been spilled, identicalness has been spoilt, the power of the medallion has failed them. “Take it,” the leader says tossing them the medallion. A look of recognition crosses his face and he squints at them, “who… who are you two?” Patrick shakes his head and turns away saying, “We’re not important. It’s who we’re looking for that is.” Inspecting the medallion, though, they realize that it is just a worthless trinket. “Hey! What gives!? This ain’t worth jack!” They yell, thinking the mailmen have deceived them, but at that moment a chilling sound pierces the air: the cackling laughter of the troll. Saboteur! He knew this whole time that the medallion was a simple bauble! From behind a rock he emerges, “I’ve come for my favor,” he grunts. Jamie and Patrick look at him in disgust, but know he has won. Everyone knows their word is their bond… it’s a rule, and they don’t break rules. “What do you want from us?” Jamie asks, fearing what dastardly plan he has in store. “A simple task,” the troll says with a sneer, “You know a jolly fat man named Santa?” Jamie and Patrick are frozen in horror, they know what’s coming, “I want him, and I want him dead.”
Meanwhile… hoods pulled up high, the two prisoners get a drink in a gritty bar. They think of the long road across the wasteland still left and the anger wells within. A couple of muscly St. Patty’s Day Leprechauns tap them on the should and tell ‘em to scram. The prisoners crack their knuckles.
That’s right! We’re watching the Dudley Moore classic, and definitely a film we had heard of prior to deciding to do it … Santa Claus: The Movie! Not only that, but we are pairing it up with another holiday classic Santa With Muscles starring Hulk Hogan! Boy, oh boy, it’s like Christmas in April! Let’s go!
Santa Claus: The Movie (1985) – BMeTric: 20.0
(Oh we’ve seen this before. The giant jump in 2014 I mean. I can’t remember what my explanation was … probably a big New Years vote purge or something. It really is a-tumblin’ though, people just love Dudley Moore I guess.)
Leonard Maltin – 2.5 stars – Story of how Santa came to be starts out so wonderfully – with eye-filling looks at his North Pole toy factory, reindeer, and sleigh – that it’s too bad the rest of the film (with contemporary tale of humbug kid and greedy toy magnate) can’t measure up. Still entertaining, just a bit less magical than it should have been. Referred to as Santa Claus: The Movie everywhere but on-screen!
(Interestingly solid review. Kind of like Double Dragon then, starts off with a kind of quaint vague interest, but then the rest of the actual plot catches up and ruins it.)
(I love John Lithgow. “FOOOORRRR FREEEEEEEEEEEEEEEEEEEEE?!!!?!?!??!” I’m already kind of excited)
Directors – Jeannot Szwarc – (Known For: Jaws 2; Somewhere in Time; Future BMT: Supergirl; Bug; BMT: Santa Claus: The Movie; Notes: He started in television on shows like Night Gallery. He’s returned to television since, directing an episode of Grey’s Anatomy this year for example. French, but raised in Argentina.)
Writers – David Newman (story & screenplay) – (Known For: Bonnie and Clyde; Superman; Superman II; What’s Up, Doc?; Still of the Night; Bad Company; There Was a Crooked Man…; Future BMT: Sheena; BMT: Superman III; Santa Claus: The Movie; Razzie Notes: Nominee for Worst Screenplay for Sheena in 1985; Notes: Edited Esquire in the 60s, and was nominated for an Academy Award for Bonnie and Clyde.)
Leslie Newman (story) – (Known For: Superman; Superman II; BMT: Superman III; Santa Claus: The Movie; Notes: Married to David Newman until his death in 2003, is a cookbook author as well.)
Actors – Dudley Moore – (Known For: 10; Arthur; Foul Play; Bedazzled; The Wrong Box; Micki + Maude; Lovesick; The Bed Sitting Room; Future BMT: Arthur 2: On the Rocks; Wholly Moses!; Blame It on the Bellboy; Crazy People; The Hound of the Baskervilles; Unfaithfully Yours; The Pickle; BMT: Santa Claus: The Movie; Notes: Died of progressive supranuclearl palsy in 2002. Notable for his height of five foot two inches.)
John Lithgow – (Known For: Pet Sematary; Interstellar; This Is 40; The Accountant; Shrek; Late Night; The Adventures of Buckaroo Banzai Across the 8th Dimension; Footloose; Miss Sloane; Twilight Zone: The Movie; The Tomorrow Man; Rise of the Planet of the Apes; Cliffhanger; Bigfoot and the Hendersons; Terms of Endearment; All That Jazz; Orange County; The Homesman; Dreamgirls; 2010: The Year We Make Contact; Future BMT: Pitch Perfect 3; Confessions of a Shopaholic; Daddy’s Home Two; A Good Man in Africa; Leap Year; Silent Fall; BMT: New Year’s Eve (uncredited); Santa Claus: The Movie; Razzie Notes: Nominee for Worst Supporting Actor for Cliffhanger in 1994; Notes: In 2017 he co-authored a New York Times crossword puzzle.)
David Huddleston – (Known For: The Big Lebowski; Blazing Saddles; Rio Lobo; Frantic; The Producers; Capricorn One; McQ; Breakheart Pass; Bad Company; Future BMT: Postal; Smokey and the Bandit Ride Again; Joe’s Apartment; Something to Talk About; Life with Mikey; The World’s Greatest Lover; BMT: Santa Claus: The Movie; Notes: Served in the Air Force and most well known as Lebowski in The Big Lebowski.)
Budget/Gross – $30–50 million / Domestic: $23,717,291
(That seems like a complete disaster. What were they thinking, that Christmas films just printed money?)
(This is our fifth Christmas film for BMT. I don’t know why they would be becoming more popular recently … maybe with a good economy people like to think about giving and receiving gifts more?)
(My consensus: Thinnly plotted, cheap looking, and dated. This 80s Christmas film is a bore. Reviewer Highlight: Little kids will probably like most of this movie. The weakness is that larger kids and parents, deputized to escort the little ones, are likely to find a lot of it a little thin. – Roger Ebert, Chicago Sun Times)
(Really hard to find a decent picture of this poster. Not a good sign for the film itself. From what I can see I think there is something artistic in this that I kinda like, while also acknowledging that it looks old as shit and it’s time has passed it by. But like, check that font, look at the weird perspective, and guess what? I’m pretty sure I know this is about Santa Claus.)
Tagline(s) – Guess who’s coming to town! (D-)
(Uh… Santa? I’m still not sure what the plot of this film is… like is Santa’s workshop being bought by an eeeevil land developer and he has to work to stop him? Or like… does someone have to take over for Santa for some children appropriate reason… like he ate too much candy and hot chocolate and is now in a diabetic coma? That’s fine for kids, right? Anyway, I’m sure it something like that. Just wanted to speculate since I definitely didn’t want to talk about this snoozer of a tagline.)
Keyword(s) – toy; Top Ten by BMeTric: 76.1 Paranormal Activity 4 (2012); 75.4 Alvin and the Chipmunks: The Squeakquel (2009); 73.8 Look Who’s Talking Too (1990); 70.2 Santa Claus Conquers the Martians (1964); 69.5 Postal (2007); 68.5 Gulliver’s Travels (2010); 64.2 Exposed (III) (2016); 63.4 Poltergeist III (1988); 60.8 Toys (1992); 59.9 Alvin and the Chipmunks (2007);
(We’ve seen none of these?! And now we still haven’t)
Welcome to Earf (HoE Number N/A) – There is no current way to connect this movie to Here on Earth via BMT. If we were to watch Unfaithfully Yours, and The Glass House we can get the HoE Number down to 14.
(Actually an anomaly. Lithgow was uncredited in New Years Eve, so he’s been in a BMT film, but that doesn’t count in this analysis)
Notes – All the toys made and bought for the Santa’s workshop scenes were donated to children’s charities for Christmas after shooting was complete.
The role of the Ancient Elf was written with James Cagney in mind. However, even though Cagney liked the film’s overall idea, his advanced age and weakened physical condition precluded him from taking the role.
In the U.S. trailers for the film, Dudley Moore gets top billing and David Huddleston gets third billing. In the international trailer, Huddleston gets top billing and Moore gets fourth billing.
Real deer were trained to pull the sleigh. The crew required months to complete the training which also allowed the deer to grow their antlers for the final filming. For shots where it was not possible to use the deer, sophisticated animatronic deer were used. (Hahahahhahaha)
The film’s budget was £50,000,000, which as of this writing (2015) would be equivalent to £140,000,000. (Hahahahahhahaa)
Burgess Meredith, who is fourth-billed, has one scene and eight lines. (This seems like a trend in this film)
When Patch is viewing the BZ Toys display in the New York window, a van painted exactly like the one on The A-Team (1983) is parked on the street behind him.
The role of B.Z. was offered to Harrison Ford, Burt Reynolds, Dustin Hoffman and Johnny Carson, all of whom turned it down.
John Lithgow, who is second billed and the main bad guy, doesn’t appear until more than an hour into the film. (Wowza)
Paul McCartney was originally going to write and perform a theme song, but his record label declined.
The movie had promotional Tie with McDonald’s, Coca- Cola and Pabst Blue Ribbon. McDonald’s gave a away one of four books with each happy meal, which chronicled the story of the film. (WHAT)
“And that’s the story of how I cheated on my wife multiple times, destroyed my family, and continued to be a rich asshole. Now where to start concerning the mailman?” sighs Colonel Von Freed. Jamie looks grimly at Patrick. They endured his story of serial philandering for the last two hours and, considering the length of his sigh, the story of the fraudster mailman seems to be even longer. Suddenly a group of horses run by with grimy men clinging to their backs. Letters flutter about them as they watch them disappear in a cloud of dust. “Aha, the chase is afoot,” sighs the Colonel, “it’s helicopter time.” With that the Colonel snaps his fingers and a helicopter suddenly appears over the horizon. Gatling guns ablaze, the helicopter swoops towards the mailmen, who shields their eyes and scatter in every direction. One remains behind, the leader. “The choice is yours, mailman,” we say as we approach, “hand over the medallion or get another taste of our helicopter.” The mailman smiles. “Oh really, you’re gonna blow me away? I don’t think so,” he laughs, “that would be against the rules.” In shock Jamie and Patrick look at each other. What rules? Rulez=coolz and this could spell trouble. Another mailman returns and joins the first. Uncoiling the scarf from his face Jamie and Patrick gasp. Twins. They rip their sleeves off their shirts to reveal the secret tattoos of the twins engraved on their well-toned arms. “He isn’t lying, Colonel,” Jamie says. “This will not end peacefully. It’s the way of the Twins. They have challenged our twin prowess,” confirms Patrick. The mailmen scream in unison, “It’s a Double Dragon challenge, Bad Movie Twins! A fight for the medallion. A fight for destiny. A challenge that can only end with blood.” That’s right! We are watching Double Dragon, one of the many terrible video game films made in the *checks notes* ever… there has never been a good one. Apparently though the worst films of all time wiki page only has room for one video game film and that’s Alone in the Dark, which is no fun. At least this should be some fun to watch. Reading about it a bit apparently they changed the script so that Jimmy and Billy Lee weren’t twins but just brothers because the actors didn’t look enough alike. Bullshit. Just for that it should be on the worst of all time list. Let’s go!
Double Dragon (1994) – BMeTric: 66.9
(Below 4.0 is incredible. And while climbing a bit (pretty much unavoidable when the rating is that low), for a film from the early-90s that is very impressive. Pretty close to that 75+ pantheon, although now it’ll never make it.)
Leonard Maltin – 1.5 stars – In the junky, gang-dominated post-earthquake “New Angeles” of 2007, martial artist brothers Dacascos and Wolf battle evil billionaire Patrick for the possession of a two-part Chinese medallion that grants mystical powers. Sometimes lively but mostly silly and tedious; based on an arcade game.
(This review is mostly silly and tedious, so take that! But honestly, this feels like Maltin fell asleep in the middle of the review. Although, then again, there is a very nice semi-colon right near the end. Love it.)
(My God the acting! AND LOOK WHO’S GOT IT! Whooooooaaaaaaaa! Man the 90s, what a time to be alive. Everything was so straight up raaaaaaad. Karate and hacking and like … video games. It is ridic. Too ridic to quit. I’m amped.)
Directors – James Yukich – (BMT: Double Dragon; Notes: He was a music video director for the most part, including directing videos for Bruno, Bruce Willis’ alter ego.)
Writers – Paul Dini (story) – (Known For: Batman Ninja; Batman: Mask of the Phantasm; Batman and Harley Quinn; BMT: Double Dragon; Notes: Invented Harley Quinn for his friend Arleen Sorkin.)
Neal Shusterman (story) – (BMT: Double Dragon; Notes: Quite an accomplished writer, including nine or ten different series. Also wrote a ton of How to Host a Murder games.)
Michael Davis (screenplay) – (Known For: Shoot ‘Em Up; 100 Girls; Monster Man; Future BMT: Eight Days a Week; BMT: Double Dragon; Notes: Wrote the entire Prehysteria series.)
Peter Gould (screenplay) – (BMT: Double Dragon; Notes: The co-creator of Better Call Saul.)
Actors – Robert Patrick – (Known For: Terminator 2: Judgment Day; Wayne’s World; Bridge to Terabithia; Walk the Line; Die Hard 2; Spy Kids; Safe House; Charlie’s Angels: Full Throttle; Trouble with the Curve; The Faculty; Back Roads; Lovelace; Cop Land; Kill the Messenger; The Men Who Stare at Goats; Flags of our Fathers; We Are Marshall; The Road Within; Ladder 49; Rosewood; Future BMT: Balls of Fury; Eye See You; Supercross; Identity Thief; Fly Me to the Moon 3D; Hellions; Eloise; All the Pretty Horses; Last Action Hero; Alien Trespass; The Black Waters of Echo’s Pond; Fire in the Sky; Gangster Squad; Jayne Mansfield’s Car; BMT: Striptease; The Marine; Double Dragon; Strange Wilderness; Firewall; Texas Rangers; Endless Love; Notes: Replaced David Duchovny in The X-Files late in the series. Famous for his role as the T-1000 in Terminator 2.)
Mark Dacascos – (Known For: Brotherhood of the Wolf; Future BMT: The Island of Dr. Moreau; Code Name: The Cleaner; Showdown in Manila; Nomad: The Warrior; BMT: Double Dragon; Cradle 2 the Grave; Notes: A martial artist. Competed in the 9th season of Dancing with the Stars.)
Scott Wolf – (Known For: Teenage Mutant Ninja Turtles; Go; White Squall; Future BMT: The Evening Star; All I Want for Christmas; BMT: Double Dragon; Notes: Most famous for his role on Party of Five. Had some success in television across the years. Has a mildly famous cousin Josh Wolf.)
Budget/Gross – $7.8 million / Domestic: $2,341,309
(Somehow a catastrophe despite basically costing nothing. Having watched the film you see all $8 million on screen, it is pretty impressive how far they stretch that.)
(Beat out the previous low gross by a BMT film by … Gymkata, wowza. This came in right when martial arts film was huge, but they were progressively making less and less money. At least according to Box Office Mojo this genre is basically non-existent at this point.)
(Somehow less than In the Name of the King: A Dungeon Siege Tale as well! A film intentionally made to be a failure. Right at the beginning of this genre which has been trying to break through for several years now.)
Rotten Tomatoes – 8% (1/13): Double Dragon’s clever use of special effects cannot mask the film’s overly simplistic storyline and cheesy dialogue.
(A lot lower than I would expected to be honest, it felt like something you’d be like “ambitious, yet on a shoestring budget, and somehow not as bad as you would expect”. Reviewer Highlight: Even kids won’t get much of a kick out of this high-energy, low-IQ futuristic slugfest. – Brian Lowry, Variety)
(Well I know what Patrick is getting for Christmas. This is quite literally amazing. It’s taken everything I love in a poster and taken it to an extreme that makes it terrible. Love fonts? We got two of the craziest. Love bold colors? How about two jarringly bright ones? Want it to tell a story? This got shit everywhere.)
Tagline(s) – Power. Justice. Darkness. Light. (C)
Two halves of an ancient puzzle are the only hope. (D-)
(Should have just went for the first one which is fine enough. Not sure what it’s really saying, but they are words that make the film sound important. The second is nonsense and I’m not sure is even proper english.)
Keyword(s) – teenage girl; Top Ten by BMeTric: 89.7 Speed 2: Cruise Control (1997); 88.9 House of the Dead (2003); 87.5 Crossroads (I) (2002); 86.3 Troll 2 (1990); 85.9 Fantastic Four (2015); 85.7 Piranha 3DD (2012); 84.5 Movie 43 (2013); 82.4 Prom Night (I) (2008); 80.8 Halloween: Resurrection (2002); 79.6 Street Fighter: The Legend of Chun-Li (2009);
(We only have horror films left. Horror films will tend to have teenage girls I guess, so that makes sense. We swept the non-horror films real quick though.)
Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Robert Patrick is No. 1 billed in Double Dragon and No. 7 billed in Firewall, which also stars Harrison Ford (No. 1 billed) who is in Hollywood Homicide (No. 1 billed), which also stars Josh Hartnett (No. 2 billed) who is in Here on Earth (No. 3 billed) => 1 + 7 + 1 + 1 + 2 + 3 = 15. There is no shorter path at the moment.
Notes – In the final battle, Linda Lash (Kristina Wagner) says to Marion (Alyssa Milano), “Now who’s the boss?” Later, Marion tells Lash, “You’re lucky, generally I put people in the hospital.” Alyssa Milano starred on the television series Who’s The Boss, and Wagner was a regular on General Hospital. (AWFUL. Just awful)
A video game featuring motion captured sprites like Mortal Kombat was concepted to co-inside with the movie, having the actors of the film and their stunt doubles provide the captured images. However it was deemed it could not be completed in the same amount of time as the movie, so was scrapped. After the movies release the film studio admitted it was a stroke of luck the game didn’t go ahead. The film would later have a Japan-only, tie in, fighting game of the same name, developed by Technos Japan under the license of SNK Playmore, ported to the Neo Geo MVS and the Neo-Geo CD in 1995 as well as the PlayStation in 1996. (Yeah that sounds like a terrible idea)
The boat chase was filmed on the Cuyahoga River in Northeast Ohio. It climaxes with an explosion which used 700 gallons of gasoline combined with 200 gallons of alcohol. Despite warnings the night before on several news channels, the explosion caused Cleveland residents to panic, leading to 210 phone calls to emergency services over ten minutes. (Wow, I wouldn’t have thought that was in Ohio, I just thought it was in a kind of isolated, industrial, run-down part of the LA coastline somewhere)
Dozens of arcade games appear in the Power Corps hideout. DOUBLE DRAGON is one of them. It’s visible when Jimmy (possessed by Kogo Shuko) tries to kick Billy but misses and shatters the game screen. (Yeah, it is terrible. It sucks)
In one scene, Kogo Shuko asks his henchmen (Huey and Lewis), “Huey, Lewis. Any news?” a reference to the band Huey Lewis and the News. (Yeah that also sucked)
According to editor Danny Retz the alley where the Lee brothers are about to face off with Abobo was shot in downtown Los Angeles. “It was used by junkies and other nefarious persons and had to be steam clean before shooting could be done.” said Danny.
The seal on Jimmy Lee’s “Retour” shirt was designed by the DECA teacher at Snohomish High School. The image in the middle of the seal is the original Snhomish High School building. (I actually did think that shirt was rad)
First-time director Jim Yukich summarized his approach to the film: “Our characters are like normal kids – three kids on an adventure, so we didn’t want to make something that kids would almost be too afraid to see. … I’d like to make it in a funnier, light-hearted vein.” (Basically the Batman & Robin approach. “You’re making a video game, it’s ridiculous, remember” was probably shouted)
The plot from the game is originally about two martial artists which is a blue-suited young man named Billy “Hammer” Lee and a red-suited twin brother Jimmy “Spike” Lee, as they fight their way into the turf of the Black Warriors gang (with Linda and Abobo as members) who assaulted and kidnapped their love interest Marian, the martial arts brothers won’t stop at nothing to rescue her. After going through skirmishes lead by Abobo and Jeff at a city slum, a factory, the woods and the gangs hideout; Billy and Jimmy reach the lair where the have a showdown with the gang’s machine gun wielding leader who is the Big Boss and they defeat him, also resulting in a conflict where Billy and Jimmy fight to the death over the determination of who will win the affections of Marian.
The characters from the game that appear in this film are: Billy Lee (1st player), Jimmy Lee (2nd player), Marian (Non-playable character), Linda (3rd enemy) and Abobo (1st boss).
Having awoken from my weeks long Postman induced slumber my brain is grasping at any lodestar, any constant. Ah, The Postman! The film itself can help reboot my brain. But … can you help me remember what happened in this film?
Pop Quiz Hot Shot!
1) Since this moment traumatized me, what was Kevin Costner’s best friend in the whole wide world, the mule, named?
2) What task is The Postman assigned to do as a punishment meant to kill him after it is discovered he was planning on leaving the military by any means necessary?
3) Where is the new capital of the United States according to The Postman?
4) What was Will Patton’s job prior to the war?
5) In the end why is it that Kevin Costner is able to challenge Will Patton in one on one combat?
Jamie and Patrick enter the cocktail party at Colonel Stanley Von Freed’s posh ski chalet dressed in tuxedos and looking dapper. They scope the scene and begin to mingle with the crowd. Masters of smalltalk they express dismay at the latest news out of the Asian markets and hint at promising developments at their racehorse farm. Hands touch arms and laughter rings out until they realize they’ve been cornered by several sultry minxes eyeing them hungrily. They can’t be distracted. Patrick signals to the jazz band and a funky beat begins to play. Stripping to the waists, Jamie and Patrick perform their award winning breakdance routine that the New York Times deemed “the essence of pure masculinity.” Through a combination of hip thrusts and backflips Jamie and Patrick dispatch the sultry minxes and amongst fading cheers abscond upstairs. In the master bedroom they find a safe and hold their breath as they try the lock. It’s already open! Inside? Nothing. “Ah yes, I wondered why you two were here. Simple party crashers? I think not. You are looking for the medallion.” Out of the darkness Colonel Von Freed leans forward, his sad eyes searching Jamie and Patrick. Patrick speaks hesitantly, “We… we need it… to save the world.” The Colonel sighs, “of course you do, but what is there to save? This world is already dead.” Jamie steps toward the Colonel. “Come with us and find out what’s left to fight for.” The Colonel looks between them and for a moment a light shines in his eyes, “Who… who are you two?” he shakes his head, “It was taken. Long ago. By a fraudster who pretended to be my mailman. He took it to The Waste. We’ll find it there.” They shake their heads. Of course. Exactly where they started. That’s right! We’re watching what is considered one of the biggest bombs in film history, The Postman starring (and directed by) Kevin Costner. Good thing I definitely have three hours to kill this weekend, otherwise it would have been pretty annoying to watch … Let’s go!
The Postman (1997) – BMeTric: 32.5
(Wowza, up to 6.0. I can imagine it ages well. Costner seems like he has to be a competent director, so perhaps once you have some distance and are choosing to watch this 3 hour epic is probably skewing things upwards a bit. By all accounts this films is)
Leonard Maltin – 1.5 stars – Long, boring, pretentious allegory about an itinerant performer in the post-apocalyptic future who passes himself off as a U.S. mail carrier. In that guise, he personifies hope for several isolated communities who’ve been beaten down by the cruel tactics of a demagogue (Patton, in a one-note performance). A well-meaning (but complete) misfire. That’s Costner’s son in the film’s final shot; one daughter plays a mail carrier, the other sings “America the Beautiful.” Mary Stuart Masterson appears unbilled.
(It feels like Maltin really slams films who strive to be something great and completely fail. Pretentious and boring. I can see it. I mean … you don’t hear much more about this film except that it is long and boring.)
(Wow, even the trailer is long, boring, and pretentious. I’m being serious, that felt like the longest trailer in the history of film.)
Directors – Kevin Costner – (Known For: Dances with Wolves; Open Range; BMT: The Postman; Razzie Notes: See the acting category Notes: An oddly limited directing career considering he won an Oscar with his first effort, and Open Range was well received as well … maybe he hates it. Nope.)
Writers – David Brin (novel) – (BMT: The Postman; Notes: His novel Startide Rising, part of his Uplift series, won the Nebula award in 1984, the year before he published The Postman (which was nominated for a Hugo and Nebula award))
Eric Roth (screenplay) – (Known For: A Star Is Born; Forrest Gump; The Curious Case of Benjamin Button; Ali; Munich; The Good Shepherd; The Insider; Extremely Loud & Incredibly Close; The Horse Whisperer; Wolfen; The Onion Field; Suspect; Mr. Jones; The Drowning Pool; Future BMT: The Concorde… Airport ’79; Lucky You; BMT: The Postman; Razzie Notes: Winner for Worst Screenplay for The Postman in 1998; Notes: Was sadly a victim of Bernie Madoff losing his retirement fund in the grift.)
Brian Helgeland (screenplay) – (Known For: A Knight’s Tale; L.A. Confidential; Legend; Mystic River; Robin Hood; 42; Green Zone; The Taking of Pelham 123; Conspiracy Theory; Payback; A Nightmare on Elm Street 4: The Dream Master; Blood Work; Future BMT: The Sin Eater; 976-EVIL; Cirque du Freak: The Vampire’s Assistant; Assassins; BMT: The Postman; Razzie Notes: Winner for Worst Screenplay for The Postman in 1998; Notes: Was a fisherman in New Bedford, MA for a short time before driving cross country to Hollywood.)
Actors – Kevin Costner – (Known For: The Highwaymen; Molly’s Game; Man of Steel; Hidden Figures; Dances with Wolves; Waterworld; The Untouchables; Robin Hood: Prince of Thieves; Mr. Brooks; No Way Out; Field of Dreams; Jack Ryan: Shadow Recruit; JFK; Open Range; Bull Durham; Silverado; The Big Chill; Draft Day; Thirteen Days; Wyatt Earp; Future BMT: The New Daughter; Play It to the Bone; Dragonfly; The Bodyguard; 3 Days to Kill; Message in a Bottle; Swing Vote; Criminal; Revenge; Batman v Superman: Dawn of Justice; Black or White; The War; BMT: Rumor Has It…; The Postman; 3000 Miles to Graceland; The Guardian; Razzie Notes: Winner for Worst Director, and Worst Actor for The Postman in 1998; Winner for Worst Actor, and Worst Remake or Sequel for Wyatt Earp in 1995; Winner for Worst Actor for Robin Hood: Prince of Thieves in 1992; Nominee for Worst Actor in 1993 for The Bodyguard; in 1996 for Waterworld; in 2000 for For Love of the Game, and Message in a Bottle; and in 2002 for 3000 Miles to Graceland; Nominee for Worst Screen Couple in 1995 for Wyatt Earp; and in 2002 for 3000 Miles to Graceland; and Nominee for Worst Actor of the Century in 2000; Notes: Y’all know Kevin Costner. He has seven children. The oldest is 34 and the youngest is 9. Quite the range.)
Will Patton – (Known For: Halloween; Remember the Titans; No Way Out; American Honey; The Mothman Prophecies; After Hours; Copycat; Desperately Seeking Susan; Rex; The Client; Brooklyn’s Finest; Silkwood; A Mighty Heart; The Scent of Rain & Lightning; Meek’s Cutoff; Wendy and Lucy; The Rapture; Jesus’ Son; A Shock to the System; In the Soup; Future BMT: Code Name: The Cleaner; Breakfast of Champions; Fled; The Fourth Kind; The Puppet Masters; Entrapment; The November Man; Knucklehead; Trixie; Gone in Sixty Seconds; The Punisher; The Canyon; Inventing the Abbotts; Boarding School; Armageddon; Everybody Wins; The Loss of a Teardrop Diamond; Romeo Is Bleeding; BMT: The Postman; Notes: Has narrated over forty audio books. Also … how is this first Will Patton film we’ve done? That is insane.)
Larenz Tate – (Known For: Crash; Girls Trip; Ray; Menace II Society; Dead Presidents; Love Jones; Why Do Fools Fall in Love; Future BMT: Biker Boyz; A Man Apart; Waist Deep; BMT: The Postman; Notes: Both of his brothers are also actors, although neither of them have worked much as actors in the last ten years.)
Budget/Gross – $80 million / Domestic: $17,626,234
(Two in a row, some great box office bombs recently. Unfortunately I think late-90s box office bomb might be the same as saying it is long and boring)
(Right at a little peak in futuristic films, and right near other weird ones like Soldier which came out in 1998. Booming now. A genre which feels like it only gets bigger as cheap CGI becomes readily available.)
(I can’t believe Jumper is the highest grossing BMT film for this sub-genre. I’m starting to get these graphs. They are all just variations on the same graph: sci-fi films from 1990 to present. The shapes are all kind of the same.)
(I’ll have to make a consensus: So earnest it somehow loops back around and becomes a joke. So long you’ll forget what it’s like to not be watching The Postman.Reviewer Highlight: Star/director Kevin Costner’s futuristic folly The Postman is so loopy that, for a while, one wants to shield it from a critical storm that has already begun. – Mike Clark, USA Today)
(There is just too much going on. There is another version without the American flag and that’s better but still not the best. Everything is off about this, but not offensively bad. Also… like who wants to see this? Costner is a major star but even at the time I feel like people would look at this and be like “so we just watching him wander in the desert. No thanks.”)
Tagline(s) – The year is 2013. One man walked in off the horizon and hope came with him. (C-)
(Way too long, but love the specificity of the year considered that we have now blown by it. Ages like a fine wine. Also it hints at the incredible cheesiness of the film and I admire that. But still not good.)
Keyword(s) – drifter; Top Ten by BMeTric: 84.9 Ghost Rider: Spirit of Vengeance (2011); 75.5 Anaconda (1997); 63.4 I, Frankenstein (2014); 60.8 Conan the Barbarian (2011); 51.0 Graveyard Shift (1990); 49.8 Frogs (1972); 46.3 Cabin Fever (2002); 46.0 Ator the Invincible (1982); 43.7 The Dark Tower (2017); 43.6 Coyote Ugly (2000);
(This can be split up into three groups. The “so bad we had to watch them” starts it off. Then three horror films. Then three kind of off the wall selections. Coyote Ugly is a funny one. Sometimes I forget that qualifies.)
Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Kevin Costner is No. 1 billed in The Postman and No. 2 billed in 3000 Miles to Graceland, which also stars Kurt Russell (No. 1 billed) who is in Tango and Cash (No. 2 billed), which also stars Sylvester Stallone (No. 1 billed) who is in Expendables 3 (No. 1 billed), which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Siege Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 1 + 2 + 1 + 2 + 1 + 1 + 2 + 1 + 4 + 1 = 16. If we were to watch Love Happens, and The Black Dahlia we can get the HoE Number down to 14.
Notes – The actors did their own stuntwork on the rope bridge scene and Kevin Costner, a skilled equestrian, did his own horse-riding. He also performed the cable cart scene himself, with the cart winched through the air by helicopter.
Kevin Costner’s children all appear in the film.
Tom Petty mentioned back in 1982 while filming the video for his song “You Got Lucky” (a post apocalyptic themed story) he wanted to do a small part in a futuristic movie. He said he wanted to portray a post war character, which he finally did in this movie. (ugh, what a terrible story)
The area of Metaline Falls, Washington (where a lot of the filming took place) did not have much to offer for housing film crews (like hotels) so many of the crew stayed at local campsites, rented rooms from locals. Kevin Costner rented a house from a resident of the nearby town of Ione, Washington. The stars and crew treated the locals very kindly even when approached for autographs when eating in local restaurants. (Sounds like fun)
Residents of an apartment building in Metaline Falls, Washington were paid to have their windows blown out during the “Hannibal at the gate” scene that takes place in Benning. The apartments were later repaired and cleaned up, returning them to new.
The Postman’s fake president was named “Richard Starkey”, the real name of Ringo Starr. (Ah, I didn’t get that)
An open mining pit in Tucson was used in the movie. It was one of the largest film sets ever dressed, at least two miles wide, and 1200 feet deep to create Bethlehem’s camp. Engineers looked over the drawings for buildings of the future to see if they were structurally sound. They built Bridge City on the face of the dam that supplies half of Seattle’s power. (These are cool notes)
Visual effects supervisor Tricia Henry Ashford was fired several weeks before the end of production and replaced by storyboard artist David J. Negron Jr.. This was reportedly due to various “creative differences” between her and Kevin Costner; she wanted most of the effects to be done in post-production, while Costner wanted them to be done in-camera and on-location.
In the sequence where Kevin Costner’s character names Richard Starkey (Ringo Starr) as President, he continues with another reference to The Beatles by telling the assembly “It’s getting better. Getting better all the time” from the band’s song “Getting Better”. (Also didn’t get that one)
We never learn The Postman’s real name.
The crew referred to the film as “Dirt World”.
Tom Petty plays himself. When The Postman and Abby met The Mayor of Bridge City (Tom Petty), The Postman says to him “I know you. You’re famous.” (Well … I guess if he was supposed to be like 60 in those scenes.)
At one point, this was in development as a project for Ron Howard, with Tom Hanks set to star. (I don’t believe it)
The Postman (1997) takes place the same year as another post apocalyptic movie – John Carpenter’s Escape From L.A. (1996). Both films take place in the year 2013. (Extended universe!)
It was the extras that referred to the production as “Dirt World”. This was never to be spoken within earshot of Kevin Costner, because he would fire anyone he heard saying it. (Ah I get it, like Waterworld … that’s pretty good)
Awards – Nominee for the Razzie Award for Worst Picture of the Decade (2000)
Winner for the Razzie Award for Worst Picture (Jim Wilson, Steve Tisch, Kevin Costner, 1998)
Winner for the Razzie Award for Worst Actor (Kevin Costner, 1998)
Winner for the Razzie Award for Worst Director (Kevin Costner, 1998)
Winner for the Razzie Award for Worst Screenplay (Eric Roth, Brian Helgeland, John, John Wilson, 1998)
Winner for the Razzie Award for Worst Original Song (John Coinman, Joe Flood, Blair Forward, Maria M. Machado, Jono Manson, 1998)
“Just be careful in there,” Sergeant Godzilla says and he shakes his head and zooms away. Jamie and Patrick enter the troll’s apartment and the aroma is overwhelming. Never have they smelled something quite like it. They hesitantly ask, “Is that… banana bread?” The troll laughs. Of course it is and of course they can have some. The pleasantries continue and Jamie and Patrick find themselves thinking that perhaps this troll isn’t as bad as Godzilla thought. He almost seems like… a friend. And friends don’t trick friends. Those are the rules. “Gerald,” Patrick asks, “Have you ever heard of a couple of gritty cops named Rich and Poe?” For a moment it looks like Gerald’s smile has turned to a snarl, but then it’s gone. “Oh, why yes. Nasty fellows. Always after treasures and antiquities. Gets them tied up in nasty plots. Why?” Patrick hesitates, but Gerald seems fine now. Same old Gerald they know and love. “Oh no reason,” he says, “they… are our uncles.” Gerald eyes them. “Is that right? Well there is a way to find them but… nevermind, you wouldn’t be interested.” They prod him forward and Gerald smiles, “It’s called the Medallion of Wisdom. With it you can find whatever you desire. Some think it’s legend, but I know where it is,” the troll leans in hungrily, “Make a promise and I’ll tell you. Promise you’ll help me in the future.” Patrick has seen Gerald’s true face and is horrified. No. No, never. They’ll never agree with this monster. “Yeah, sure,” Jamie mumbles over a mouthful of banana bread as Patrick looks on in horror. Gerald smiles wickedly, “It’s in a ski chalet of a man I know. A real rich guy with lots of treasures but sadness in his heart.” That’s right! We’re watching Town & Country. A story of two cops Johnny Town and Fred Country. Town is a small town sheriff with a southern twang and smarts to boot, while Country is a big city cop ready to crack some skulls if it means solving the big case… oh wait, that’s just what I wish it was. It’s actually a Warren Beatty film about a rich asshole or something. Huge bomb, but not big enough to be the on the worst ever list because it was rejected. Let’s go!
Town & Country (2001) – BMeTric: 45.6
(Wow, extremely impressive hold on the rating. Presumably that’s because not very many people just stumble upon the film, but rather they know it is going to be garbage going in. Regardless, there is potential there. A good ratings hold is usually a good sign.)
Leonard Maltin – 1.5 stars – Two couples celebrate their long-term marriages – just as both relationships start to come apart. A train wreck of a movie that starts out as romantic comedy, lurches into French farce, then lumbers along to a point beyond comprehension. The cast tries its best. Cowritten by Buck Henry, who appears as a divorce lawyer. Filmed mostly in 1998.
(I honestly had a hard time parsing this review initially, much like this film it went on just long enough that I kind of lost the thread. Having now watched this film Maltin nails it, it really is like three different movies stuck together.)
(What a strange looking film … Like really, I can’t even really place the sensibility. I guess maybe it goes back to the comedies of the 60s and 70s? This flippant observational humor about cheating on your spouse. With a oddly goofy twist.)
Directors – Peter Chelsom – (Known For: Serendipity; Hannah Montana: The Movie; Shall We Dance; The Mighty; Funny Bones; Hear My Song; BMT: Town & Country; The Space Between Us; Razzie Notes: Nominee for Worst Director for Town & Country in 2002; Notes: A very accomplished British director. Considers surviving this shoot an achievement in itself.)
Writers – Michael Laughlin (written by) – (Known For: Strange Invaders; Strange Behavior; BMT: Town & Country; Notes: He seems like he had a crazy life. He’s 80, he produced films in the US and the UK, he lived in Paris, he seems to have been all up in Hollywood for his entire life, and yet his filmography is still rather svelte.)
Buck Henry (written by) – (Known For: The Graduate; Get Smart; To Die For; Catch-22; The Last Act; Candy; What’s Up, Doc?; The Owl and the Pussycat; The Day of the Dolphin; Future BMT: The Nude Bomb; Protocol; First Family; BMT: Town & Country; Notes: Directed Heaven Can Wait with Beatty. Is the founding member of the Five Timer’s Club on SNL.)
Actors – Warren Beatty – (Known For: Heaven Can Wait; Dick Tracy; Bonnie and Clyde; Shampoo; Rules Don’t Apply; Splendour in the Grass; Bugsy; Reds; McCabe & Mrs. Miller; The Parallax View; Bulworth; Lilith; The Heist; Future BMT: Love Affair; The Fortune; BMT: Ishtar; Town & Country; Razzie Notes: Nominee for Worst Director for Town & Country in 2002; and Nominee for Worst Remake or Sequel for Love Affair in 1995; Notes: Nominated four times for Best Actor (embarrassingly lost to In the Heat of the Night in the same year he was in Bonnie and Clyde. Embarrassing because he wasn’t up against Portier, he was up against Steiger which is ridiculous). Won Best Director of Reds.)
Diane Keaton – (Known For: The Godfather; The Godfather: Part II; Book Club; The Godfather: Part III; Annie Hall; Something’s Gotta Give; Finding Dory; Baby Boom; The First Wives Club; Father of the Bride; Manhattan; Morning Glory; The Family Stone; Reds; Looking for Mr. Goodbar; Marvin’s Room; Father of the Bride Part II; Radio Days; Sleeper; Love and Death; Future BMT: Look Who’s Talking Now; Hanging Up; Mama’s Boy; Mad Money; Christmas with the Coopers; Smother; And So It Goes; Darling Companion; The Other Sister; The Lemon Sisters; Mrs. Soffel; BMT: Town & Country; The Big Wedding; Because I Said So; Razzie Notes: Nominee for Worst Actress for Because I Said So in 2008; Notes: Y’all know BMT super star Diane Keaton! Amazingly still a fashion icon into her seventies, literally all of the news stories about her is about what she’s wearing.)
Nastassja Kinski – (Known For: Paris, Texas; The Hotel New Hampshire; Inland Empire; Cat People; Tess; Playing by Heart; One from the Heart; In weiter Ferne, so nah!; To the Devil a Daughter; The Wrong Move; An American Rhapsody; The Claim; Savior; Your Friends & Neighbors; The Intruder; Future BMT: Fathers’ Day; Terminal Velocity; Revolution; One Night Stand; Unfaithfully Yours; BMT: Town & Country; Notes: Klaus Kinski’s daughter. Apparently has a form of Narcolepsy.)
Budget/Gross – $90 million / Domestic: $6,719,973 (Worldwide: $10,372,291)
(Actually considered one of the greatest financial disasters in the history of film, up with The Adventures of Pluto Nash. I would say it likely destroyed Beatty in terms of getting films done as the on-set reports kind of make it sound like it was his fault they went so far over budget.)
(Almost the worst we’ve ever seen. Say It Isn’t So narrowly edges it out. It looks like rom-coms are coming back into style a bit. Especially if things follow Crazy Rich Asian’s lead.)
Rotten Tomatoes – 13% (12/93): Afflicted with extensive re-editing and re-writing, this sex comedy feels confusingly choppy. Also, the main characters are so wealthy and privileged that it’s difficult to feel sympathy for their problems.
(Yeah based on the trailer alone the people seem totally despicable. There was a trend in comedies wasn’t there? Where, in order to facilitate all of the wacky adventures the characters were going to go on, they needed to be fabulously wealthy. And probably a misguided idea that people want to gawk at rich people’s houses or something.)
(I don’t like it but I appreciate it. The framing, the font, it’s all good… but just doesn’t work for me without a color scheme. My eyes tell me ‘No.’)
Tagline(s) – There’s no such thing as a small affair. (B+)
(I don’t see this on the poster, but I’ll allow it because it’s solid. It’s short-ish and clever and tells me a little something. Good stuff.)
Keyword(s) – infidelity; Top Ten by BMeTric: 90.7 The Room (2003); 84.5 Movie 43 (2013); 82.2 Skyline (2010); 79.0 The Return of the Texas Chainsaw Massacre (1994); 78.9 Pledge This! (2006); 70.0 The Boy Next Door (2015); 69.0 Knock Knock (I) (2015); 65.7 Baise-moi (2000); 65.3 The Canyons (2013); 64.6 Dr. T & the Women (2000);
(Dr. T & the Women, my old friend. Probably the highest BMeTric of any film that doesn’t actually qualify. I’ve seen the Canyons. It is terrible.)
Welcome to Earf (HoE Number 12) – The shortest path through The Movie Database cast lists using only BMT films is: Josh Hartnett is No. 9 billed in Town & Country and No. 3 billed in Here on Earth => 9 + 3 = 12. There is no shorter path at the moment.
Notes – Considered to be one of the biggest box-office disasters of all time. Pluto Nash (2002) is the largest in terms of financial loss with a budget of 100 million dollars, and a domestic gross of 4.41 million dollars. Town & Country cost around 90 million dollars to make, and it pulled in only 6.7 million dollars at the U.S. box-office.
Buck Henry was hired for what was originally only going to be a few weeks of script polishing work. Eventually, he stayed on for several months and ended up earning (by some accounts) three million dollars for rewriting roughly half of the script. Henry has stated that he bought a new house with the money he made on this “quick rewrite assignment”.
Following the film’s failure, Warren Beatty wasn’t involved with another film until Rules Don’t Apply (2016). (Yeah, he didn’t have a particularly good record from the 90s onward I don’t think)
Over forty million dollars had been spent on actor and writer salaries even before the cameras began rolling. (Oof)
The film was released three years after filming initially began in 1998.
Charlton Heston’s 75th film.
Filming was originally supposed to wrap by the fall of 1998 for a summer or fall 1999 release. Various problems occurred during filming, however, including Warren Beatty’s meticulous demand for many takes.
Filming had to be shut down after five months so that Diane Keaton, Garry Shandling, and Jenna Elfman could honor prior commitments. Shandling was in What Planet Are You From? (2000), while Keaton was in Hanging Up (2000), which she also directed. It would take a full year before they could gather the cast back together to film the new pages written by Buck Henry.
Reshoots were scheduled to begin on April 10, 2000, and expected to last just a couple of weeks. However, filming continued through June 2000, when it finally wrapped two years after principal photography originally began.
The winter mountain scenes (filmed in Sun Valley, Idaho) started filming in the early winter. Unfortunately, there was no snow on the ground at the time. Several scenes were filmed with man-made snow. After filming these scenes, over a foot of natural snow feel the next day. Some of the scenes were re-shot in the “natural” background.
Gérard Depardieu was cast but had to be replaced by Garry Shandling because of a road accident.
Peter Chelsom and Warren Beatty clashed frequently over various details in the script and the visuals.
Such was the protracted nature of the film’s production, it burned through 13 release dates.
Awards – Winner for the Razzie Award for Worst Supporting Actor (Charlton Heston, 2002)
Nominee for the Razzie Award for Worst Supporting Actress (Goldie Hawn, 2002)
Nominee for the Razzie Award for Worst Director (Peter Chelsom, Warren Beatty, 2002)
Sergeant Godzilla roars with anger at Officer Fultz, who simply scoffs and asks if he can go. He’s got some actual bad guys to stop with lethal force and no time for pencil-pushing bullshit. “RAWR, not till you tell me why you broke all those rules last week. And who are these two bozos with you?” Fultz looks back at Jamie and Patrick, “Just some scum I caught littering in the dead zone.” Godzilla seems taken aback, “The dead zone, huh? Get outta here you rule-breaking nogoodnik and don’t let me catch you breaking any more rules.” With that Jamie and Patrick are left alone with Godzilla. “Mighty dangerous place out there in the dead zone. Wanna tell me what you were looking for besides trouble?” Knowing this might be their only shot Patrick speaks up, “A couple of your officers we hope… Rich and Poe? Do they work for you, sir?” Godzilla squints at them. For a moment recognition seems to dawn on his scaly face but then it’s gone, “No. Nobody by that name here. They sound like a couple of rule-breakers anyway. Perhaps they work over in Bridgetown. That’s the toughest precinct in these parts.” Jamie and Patrick ask if they can head that way but Godzilla seems hesitant, “It’s not exactly police friendly and you both seem like you follow the law.” Jamie and Patrick nod and think about all the coolz rulez they follow. “They won’t take kindly to either of us. But I can drop you over at an informant’s apartment and he might know something of interest. Just don’t… make a deal with him. He’s trouble.” They hop in Godzilla’s specialty police racecar and zoom on over to the apartment. When they approach the door it creaks open and a warty troll hand beckons them in. That’s right! We’re watching the 1986 cult classic Troll. Made on a shoestring budget and earning $5 million at the box office this was such an cult success that they later attempted to rebrand two different films as its sequel. Troll 2 actually is considered one of the worst films ever made and Troll 3 (originally The Crawlers) is largely forgotten. This was apparently mentioned on a list of the 50 worst films ever made, but that’s not enough to make it on the Wikipedia list so it was rejected. Let’s go!
Troll (1986) – BMeTric: 57.1
(The rating has kind of hilariously been all over the place. Around 4.0 is obviously solid though. Interesting that it has nearly 10K votes as well, heartening.)
Leonard Maltin – 1.5 stars – If your idea of entertainment is seeing Sonny Bono metamorphose into an apartment of foliage, this is the movie for you. Angelic tyke is possessed by a troll, who takes over her body and starts turning the neighbors into seed pods that eventually turn into new trolls. Too close to Gremlins; some viewers may get off on hearing June Lockhart swear. Sequel: Troll II.
(Troll II isn’t a sequel to Troll. Or at least, it is a SINO, a Sequel in Name Only. And yeah Leonard … seeing Sonny Bono morph into a forest is exactly what entertains me.)
(“The weirdest, and wildest … creature of them all. That troll legit just looks like the troll from Ernest Scared Stupid … or maybe Hoggle from Labyrinth?)
Directors – John Carl Buechler – (BMT: Troll; Friday the 13th Part VII: The New Blood; Razzie Notes: Nominee for Worst Visual Effects for The Garbage Pail Kids Movie in 1988; Notes: A Special Effects guy back in the heyday of 80s horror. He actually directed a number of features, most just don’t have reviews online.)
Writers – John Carl Buechler (story) (uncredited) – (BMT: Troll; Razzie Notes: Nominee for Worst Visual Effects for The Garbage Pail Kids Movie in 1988; Notes: Awwww he was just diagnosed with stage IV prostate cancer, like Alex Trebek.)
Ed Naha (written by) – (Known For: Honey, I Shrunk the Kids; Honey I Blew Up the Kid; Dolls; Future BMT: The Ten Commandments; BMT: Troll; Notes: He wrote two RoboCop novelizations. Pretty cheap.)
Actors – Michael Moriarty – (Known For: Pale Rider; Courage Under Fire; The Stuff; The Last Detail; Q; Bang the Drum Slowly; Shiloh; Dog Soldiers; It’s Alive III: Island of the Alive; Hickey & Boggs; Shiloh 2: Shiloh Season; Future BMT: Along Came a Spider; Neverwas; BMT: Troll; Notes: Probably most well known for Law & Order where he was the prosecutor for the first four years of the series’ run. He was eventually replaced by Sam Waterston.)
Shelley Hack – (Known For: Annie Hall; The King of Comedy; Time After Time; The Stepfather; Future BMT: House Arrest; BMT: Troll; Notes: Was a Charlie’s Angel for a season in 1979.)
Noah Hathaway – (Known For: The NeverEnding Story; Sushi Girl; Best Friends; BMT: Troll; Notes: He played Atreyu in The NeverEnding Story. He holds black belts in Tang Soo Do and Shotokan, and (at the time this sketchy IMDb bio was written) is learning American Kenpo. Hmmm, American Kenpo you say)
Budget/Gross – $700,000-1.1 million / Domestic: $5,450,815
(I mean sure. You couldn’t not make money with cheap horror films back in the day it seems.)
(Juuuuust beats out In the Name of the King: A Dungeon Siege Tale for our lowest grossing film in this genre. Right before the big Willow / Princess Bride boom in the 80s. Then everything kind of died off when people realized the effects looked like crap and were expensive. And then Highlander: Endgame changes the game in 2000 .. Joking, it was Harry Potter.)
(Very few reviews naturally, and surprisingly bad considering how innocuous the trailer looks. The consensus can be summed up as: Boring, insufferable, and not scary. Reviewer Highlight: Almost as scary as the Leprechaun – Kevin Fiddler, Henderson Home News)
(This is so hard to distinguish what it’s trying to show that it has to have been done intentionally because they knew the troll looked dumb. It’s just like… a bad photo. A very tiny amount of credit for the font I guess.)
Tagline(s) – Apartment for Rent. Inquire Within… (D-)
(Things aren’t going well for the Troll marketing team. Is there a joke here… are we supposed to be enticed by the prospect of a Troll landlord? At least it’s short and all the words make sense when put together.)
Keyword(s) – troll; Top Ten by BMeTric: 86.3 Troll 2 (1990); 57.1 Troll (1986); 54.1 Leprechaun 2 (1994); 49.5 Seventh Son (I) (2014); 45.0 Slackers (2002); 32.4 A Troll in Central Park (1994); 30.9 Snow White and the Huntsman (2012); 30.7 Hansel & Gretel: Witch Hunters (2013); 30.1 Beowulf & Grendel (2005); 29.0 Ernest Scared Stupid (1991);
(The original keyword was “girl in a notably short outfit” for reals. How about fucking “troll”?! Who wrote this email generator … oh yeah, I did. Anyways I manually replaced it. I’ve seen … most of these kind of sadly. I don’t see how Slackers applies though … maybe they are referring to like … online trolls there?)
Welcome to Earf (HoE Number 25) – The shortest path through The Movie Database cast lists using only BMT films is: Julia Louis-Dreyfus is No. 3 billed in Troll and No. 3 billed in North, which also stars Elijah Wood (No. 1 billed) who is in The Last Witch Hunter (No. 3 billed), which also stars Vin Diesel (No. 1 billed) who is in Babylon A. D. (No. 1 billed), which also stars Michelle Yeoh (No. 2 billed) who is in Mechanic: Resurrection (No. 4 billed), which also stars Jason Statham (No. 1 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 3 + 3 + 1 + 3 + 1 + 1 + 2 + 4 + 1 + 1 + 4 + 1 = 25. If we were to watch Fathers’ Day, Jack, and The Glass House we can get the HoE Number down to 14.
Notes – The hero of this film is a boy named Harry Potter Junior, who is surrounded by a fantasy world of witches, wizards and magic, 11 years before J.K. Rowling’s Harry Potter novels swept the publishing world.
Julia Louis-Dreyfus’ film debut.
Julia Louis-Dreyfus has admitted being embarrassed by her role. In April 2013, Jay Leno showed her scene as a nymph on The Tonight Show with Jay Leno: Episode #21.125 (2013). Louis-Dreyfus was surprised and visibly annoyed that Leno dredged up her connection to the film. (Yeah not a good look. I sometimes think about how annoying it would be if I was like “My God, Jason Statham. I loved you in In the Name of the King: A Dungeon Siege Tale.” I imagine he would punch me square in the face).
Brad Hall and Julia Louis-Dreyfus play an on-screen couple in this film. In real life, the two were dating, and married the year following the film’s release. It remains the only live-action film in which they starred together, although both provided their voices to A Bug’s Life (1998).
Although she remained covered in the film for her transformation into the Faery, an on-set photo of Julia Louis-Dreyfus was published in the March 1986 issue of Cinefantastique Magazine in which her bare breasts were visible. (Oh no)
The movie Troll 2 (1990), despite its title, is not a sequel to this movie and also does not contain Trolls. (Yeah they are goblins from Nilbog in that one)
In John Carl Buechler’s original story treatment, Torok was a monster who was systematically killing off the inhabitants of the building slasher-movie style. Producer Charles Band wanted to create a PG-13 movie, so the story was altered and the fantasy element was created.
The picture of Galwyn in his human form (before being turned into a mushroom) that Eunice St. Clair shows Harry Potter Jr. is a caricature of the film’s director, John Carl Buechler.
As production began, Michael Moriarty complained to director John Carl Buechler that he didn’t understand his character. The day that they shot the scene in which the Potter family moves into the building, Buechler snatched a bucket hat off the head of first assistant director Mauro Sacripanti and put it on Moriarty. “I look ridiculous,” Moriarty said. “So Harry Potter is ridiculous?” A light-bulb went off and there was no further discussion of the character. (I’m ridiculous … all I needed to know m’man. Jesus, this movie)
The Ratspit puppet from “The Dungeonmaster” (aka Ragewar (1984)) is recycled.
Director John Carl Buechler had been so impressed with Noah Hathaway’s performance in “The Neverending Story” that he cast him as the lead in the film.
“Cantos Profane,” otherwise known as “The Troll Song,” was recorded prior to shooting and set the tone for the rest of Richard Band’s musical score. The characters were supposed to perform it as a full-blown production number, but due to limitations in the low-budget puppets they had to grunt along to the music. (Oh no, I’m getting whiffs of Garbage Pail Kids the Movie)
While the film is not short on hideous or disgusting creatures, Torok is the only troll to appear on screen. The other creatures are fey folk, nymphs, goblins, and other mythical beings. (Coooooool)
The role of Malcolm Mallory was explicitly written for Phil Fondacaro but director/FX man John Carl Buechler was pressured to cast Billy Barty. Originally, a fully animatronic puppet was intended to have been utilized for Torok the Troll, but Buechler scrapped his plan and sculpted a creature costume directly onto Fondacaro’s life cast, knowing that the producers wouldn’t want to pay two different actors. (The guy seems like a straight up VFX genius)
Jamie and Patrick crawl through the wasteland, no civilization in sight. “What are we going to do, Patrick?” Jamie cries through parched lips. “We’ll never find a police station.” Patrick meditates on this possibility while looking in his backpack of supplies. Only one delicious five-dollar footlong from Subway left. They each get a half-foot and sit against a rock to snack. Without warning Jamie stands up, his eyes ablaze, and throws his remaining sandwich to the ground. “This Subway sandwich is delicious, but what’s the point? We’re going to die anyway!” Suddenly they hear a faint buzz in the distance as a police car approaches… or is it a car? As it nears they notice that it’s a rocket skateboard. Rad. The police officer hops off his board, dark visor down, and gets right up in Jamie’s face. “Littering, dirtbag? Do it again, scum, I dare you. You are a weed. And I’m a weedkiller.” Patrick tries to interrupt, but the police officer pushes him back. “You want to get blown away too, filth? Both of you are coming with me and you’re lucky to be alive.” Jamie and Patrick look at each other in shock and shrug. Guess they’ll make it to the police station after all. After a super cool ride on the police issue rocket skateboard they enter the station, loose paper blowing around their feet and dangerous looking punks attempting escape at every turn. Almost immediately they hear a loud roar from up ahead “Fultz! Get in here, you no-good, rule-breaking piece of shit!” Other police officers whistle and clap as the officer, apparently Fultz, drags Jamie and Patrick into the sergeant’s office. “You wanted to see me Sarge?” He asks, looking annoyed. When the desk chair turns Jamie and Patrick are shocked… is that… Godzilla? That’s right! We’re watching the 1998 smash hit Godzilla starring Matthew Broderick and directed by Roland Emmerich. A bit of a surprise that it is on the rejected list given that it had such anticipation and star power and is still known today as a giant critical failure. People were basically laughing at it. But perhaps it didn’t quite reach the depths of Batman & Robin. Let’s go!
Godzilla (1998) – BMeTric: 58.7
(I guess it makes sense … a little weird that it would drop to almost below 50. This film should be a classic bad movie and thus immune to regression to the mean. Then again, mid-5.0s probably makes sense. A rating in the 4s is incredibly low for a blockbuster no matter how bad.)
Leonard Maltin – 2.5 stars – Giant lizard monster moves swiftly from the Pacific to N.Y. harbor, and terrorizes the Big Apple. Biologist Broderick hooks up with mystery man Reno and his team to stop it. Giant-scale fx-driven no-brainder doesn’t make much sense, has shallow characters, and goes on too long – but still offers a surprising amount of fun. Followed by an animated series.
(Did I just hear “animated series” … I think I know what I’m doing for the You Just Got Schooled section. Anywho, quite a mild review to be honest, but also a little bit like how I remember it. I saw this in theaters almost certainly, and I remember thinking it was fine. I was 12 at the time … but still, I distinctly remember thinking it was silly but fine.)
(Ooooof that Hank Azaria shot at the end. I just watched a video where he went through his filmography and he said this film was a terrible experience, that they were just soaking them with water the entire time and he got sick like four times.)
Directors – Roland Emmerich – (Known For: Stargate; The Patriot; The Day After Tomorrow; Independence Day; White House Down; Anonymous; Future BMT: Stonewall; BMT: 10,000 BC; Independence Day: Resurgence; Godzilla; 2012; Universal Soldier; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Independence Day: Resurgence in 2017, and for Godzilla in 1999; and Nominee for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: We literally just watched Universal Soldier which he directed. For all intents and purposes we’ve finished his filmography, Stonewall is too small to qualify. So good for us I guess.)
Writers – Dean Devlin (screenplay & story) – (Known For: Stargate; Independence Day; Universal Soldier: Day of Reckoning; BMT: Universal Soldier: The Return; Independence Day: Resurgence; Godzilla; Geostorm; Universal Soldier; Razzie Notes: Nominee for Worst Screenplay in 1999 for Godzilla; and in 2017 for Independence Day: Resurgence; and Nominee for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: Good friends with Mel Gibson.)
Roland Emmerich (screenplay & story) – (Known For: Stargate; The Day After Tomorrow; Independence Day; BMT: 10,000 BC; Independence Day: Resurgence; Godzilla; 2012; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Independence Day: Resurgence in 2017, and for Godzilla in 1999; and Nominee for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: I think I mentioned this in the Universal Soldier preview as well, but he was one of the first openly gay directors in Hollywood.)
Ted Elliott (story) (credit only) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Aladdin; Shrek; Pirates of the Caribbean: At World’s End; Pirates of the Caribbean: Dead Man’s Chest; The Mask of Zorro; Treasure Planet; Small Soldiers; The Road to El Dorado; Future BMT: The Legend of Zorro; The Puppet Masters; National Treasure: Book of Secrets; BMT: Godzilla; The Lone Ranger; Pirates of the Caribbean: On Stranger Tides; Pirates of the Caribbean: Salazar’s Revenge; Razzie Notes: Nominee for Worst Screenplay for The Lone Ranger in 2014; Notes: He used to spell check reviews for Roger Ebert. Collaborates with Rossio frequently.)
Terry Rossio (story) (credit only) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Aladdin; Shrek; Pirates of the Caribbean: At World’s End; Pirates of the Caribbean: Dead Man’s Chest; Deja Vu; The Mask of Zorro; Treasure Planet; Small Soldiers; The Road to El Dorado; Future BMT: The Legend of Zorro; The Puppet Masters; National Treasure: Book of Secrets; BMT: Godzilla; The Lone Ranger; Pirates of the Caribbean: On Stranger Tides; Pirates of the Caribbean: Salazar’s Revenge; Razzie Notes: Nominee for Worst Screenplay for The Lone Ranger in 2014; Notes: Was at one point a Machine Parts Inspector. The writing partner of Elliott for the most part, although their filmographies differ slightly.)
Actors – Matthew Broderick – (Known For: The Lion King; Manchester by the Sea; Ferris Bueller’s Day Off; WarGames; Trainwreck; Glory; Bee Movie; Tower Heist; The Cable Guy; The Producers; To Dust; Ladyhawke; Rules Don’t Apply; Election; You Can Count on Me; The Tale of Despereaux; Margaret; The Freshman; Addicted to Love; The Road to Wellville; Future BMT: Inspector Gadget; Deck the Halls; The Stepford Wives; Family Business; She’s Having a Baby; Dirty Weekend; Finding Amanda; Diminished Capacity; BMT: Godzilla; New Year’s Eve; Notes: He’s done a lot of random guest spots on television more recently. He’s been married to Sarah Jessica Parker for over 20 years now.)
Jean Reno – (Known For: Leon; The Promise; Mission: Impossible; Hotel Rwanda; Ronin; Flushed Away; Nikita; The Big Blue; French Kiss; L’immortel; Margaret; La ragazza nella nebbia; The Crimson Rivers; Subway; Wasabi; Armoured; Al di là delle nuvole; Comme un chef; La rafle; Future BMT: Couples Retreat; The Pink Panther; The Pink Panther 2; The Last Face; Just Visiting; Xia dao lian meng; Flyboys; The Da Vinci Code; Days and Nights; BMT: Rollerball; Godzilla; Alex Cross; Notes: One of the more notable french actors to have transitioned into an international film star. He worked with Luc Besson early in his career.)
Maria Pitillo – (Known For: True Romance; Natural Born Killers; Chaplin; She-Devil; Bright Lights, Big City; White Palace; I’ll Do Anything; Spike of Bensonhurst; Future BMT: Dear God; Wise Guys; Bye Bye Love; Frank & Jesse; BMT: Godzilla; Razzie Notes: Winner for Worst Supporting Actress for Godzilla in 1999; Notes: She got married in 2002 and has a daughter, so it is likely because of that that she seems semi-retired. Sang in The Lost Capone.)
Budget/Gross – $130–150 million / Domestic: $136,314,294 (Worldwide: $379,014,294)
(That seems … fine-ish. They were certainly expecting much higher, but that is kind of shockingly high for a film without a sequel. I guess how badly it was critically panned might have done it in.)
(Below a Transformers or two, and the new Teenage Mutant Ninja Turtles … so this is basically the Michael Bay category. Still quite high considering it came out in 1998. People loved their CGI star in 2010.)
(Highest grossing creature feature we’ve seen for BMT, right at the late-90s peak. This is indeed the highest grossing bad creature feature available.)
(Somehow beaten out by 2012 as far as BMT goes, and the highest we can get is Armageddon. An interesting genre. There was a set of exploitation films in the 60s and 70s (like Towering Inferno), which I have to say I find rather distasteful. Then as CGI blew up it came back in the late nineties, and then it surged again around 2010-15 … it certainly seems like when things are “going well” in the US people like to see some big disaster films, and when things aren’t … well then reality will suffice I suppose.)
Rotten Tomatoes – 16% (12/75): Without compelling characters or heart, Godzilla stomps on everything that made the original (or any monster movie worth its salt) a classic.
(Yeah, a complete catastrophe considering this is a beloved cult franchise. It was supposed to break out a whole new world of remakes for Hollywood, but alas, they had to stick with garbage J-Horror adaptations instead for a bit. Reviewer Highlight: You have to absorb such a film, not consider it. But my brain rebelled, and insisted on applying logic where it was not welcome. – Roger Ebert, Chicago Sun-Times)
(Kinda working for me in an old school kind of way. Needs a bit more green maybe. You could image a version of this being the poster for a 1982 Godzilla reboot, although that font is straight 90’s and I love it. Artistic, nice framing, font, and tells a story. I dig it, what can I say?)
Tagline(s) – Size Does Matter (B+)
(Short and sweet and can’t help but love a blockbuster that uses a dick joke as a tagline. I think the biggest problem for me is that it’s not really clever… just kind of using the dick joke and having that be the joke. Still, it’s working.)
Keyword(s) – giant monster; Top Ten by BMeTric: 82.2 Skyline (2010); 74.8 After Earth (2013); 64.3 Max Steel (2016); 62.3 Ghostbusters (2016); 62.3 Turbo: A Power Rangers Movie (1997); 62.0 Independence Day: Resurgence (2016); 59.9 Monsters: Dark Continent (2014); 58.7 Godzilla (I) (1998); 54.7 Resident Evil: Retribution (2012); 54.6 Children of the Corn III: Urban Harvest (1995);
(Wowza, there are a lot available. The Ghostbusters one is fake though, at least, it doesn’t qualify by a country mile … you know what, I’m going to bold that because I’ve seen it, so there.)
Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Jean Reno is No. 2 billed in Godzilla and No. 5 billed in Rollerball, which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 2 + 5 + 1 + 2 = 10. There is no shorter path at the moment.
Notes – Despite the less-than-expected box office performance, this film still made more money worldwide than any other American movie based on a foreign film. It held this record until Godzilla (2014) claimed it 16 years later, although accounting for inflation, this movie still made more. (Yeah it is kind of crazy. Imagine if the movie was halfway decent!)
Godzilla has only about 11 minutes of screentime. (I guess, having watched it he is still all over the film even if you aren’t seeing him)
Mayor Ebert and his assistant Gene are spoofs of the late film critics Roger Ebert and his partner Gene Siskel (who would pass away less than a year after the film’s release). This is in response to the duo giving negative reviews to Emmerich and Devlin’s earlier films Stargate (1994) and Independence Day (1996). (That’s pretty funny)
An animated series called Godzilla: The Series (1998) was made which continued the storyline of the film. In the series, Tatopoulos accidentally discovers the egg that survived the destruction of the nest. The creature hatches and imprints on Nick as its parent. (Great ….)
Toho Studios gave the American creators a 75-page dossier of what they can and cannot do with Godzilla’s character. This included the following rules: Godzilla cannot eat people, only fish, he has to have three rows of dorsal plates, no more or less than three toes on his feet and four fingers on his hand, she cannot be made to look silly, he cannot die in the movie. Almost all of these points were disregarded, and according to Patrick Tatopoulos, the only specific instructions Roland Emmerich gave him was that Godzilla should be able to run incredibly fast and that it shouldn’t resemble a dinosaur too closely. (WTF)
The lead role was written specifically for Matthew Broderick. Indeed, the actor committed to the film without reading a finished screenplay. (Kind of cool)
Dean Devlin aggressively defended the movie on internet message boards, at times telling the Godzilla fans “to hell with you” if they had a negative opinion over it. The official Godzilla message board was shut down soon thereafter due to all the heated arguing. Years later, Devlin has admitted to recognizing the movie’s faults and apologized to the fans in various interviews. (Internet forums are poison Devlin)
Roland Emmerich and Dean Devlin abandoned Godzilla’s iconic atomic breath in favor of a “power breath”, where their Godzilla would simply blow objects away by exhaling a strong wind-like breath. However, news of the power breath leaked before the film’s release, which outraged fans and forced Emmerich and Devlin to make last minute changes on scenes involving the power breath, effects supervisor Volker Engel stated, “Dean and Roland wanted this monster to retain a certain menace and credibility, but Godzilla’s breath is something everyone expects to see at some point, So they came up with instances in which you would see something like the old breath, but with a kind of logic applied to it. We make the assumption that something in his breath, when it comes in contact with flame, causes combustive ignition. So you get this flame-thrower effect, which causes everything to ignite.” Creature designer Patrick Tatopoulos added, “We were creating an animal. We weren’t creating a monster.” (Actually pretty good reasoning, but completely makes sense that fans would be annoyed as well)
The number of the cabs used in the chase at the end of the movie is MN 44. Moon 44 (1990) is the title of an earlier film that was directed by Roland Emmerich and in which Dean Devlin appeared. (Fun fact)
Patrick Tatopoulos, who designed the new Godzilla, states that the creature design mixes elements of various reptiles; also, he wanted the creature to be imposing and to inspire respect. To achieve that, he was inspired from the character Shere-Kan featured in The Jungle Book (1967); the tiger had a noticeable chin and Tatopoulos applied this characteristic on his design, taking the appearance of it from what he refers to be a “Selfin Dragon.” He also gave the creature humanoid shoulders and hands, very similar to the features included in the original design. (It … actually does kind of look like a tiger chin)
Godzilla’s design is based off a marine iguana as they originated in the Galapagos which is in the South Pacific. (It isn’t in the South Pacific, it is on the equator, but yeah, you can see a marine iguana in the opening)
The tanks used in the fish feeding scenes were actually big plastic/fiberglass mock-ups that were wheeled around on big dollies. (Movie magic)
When a cross-promotional deal with Anheuser-Busch was cancelled, visual effects artists had to digitally “erase” all Budweiser labels seen on beer bottles in the film. (Ha, when product placement goes wrong)
Was meant to be the cinematic debut of actress Maria Pitillo. The movie immediately “won” her a Golden Raspberry Award as the Worst Supporting Actress and she stopped receiving movie roles some years later. (Ridiculous since the film gives her absolutely nothing to do)
Roland Emmerich wanted his Godzilla to be fast. He can run about 200 mph. (Huh, that seems … too fast)
In a 2014 interview for the British film magazine Empire, Roland Emmerich admitted that he wanted to make a disaster movie about meteors rather than a Godzilla flick. However, Armageddon (1998) and Deep Impact (1998) had already been made by the time he was done directing this movie, which frustrated him as he wanted to make one first. (Ha)
Razzie Notes
Winner for the Razzie Award for Worst Supporting Actress (Maria Pitillo, 1999)
Winner for the Razzie Award for Worst Remake or Sequel (1999)
Nominee for the Razzie Award for Worst Picture (Dean Devlin, 1999)
Nominee for the Razzie Award for Worst Director (Roland Emmerich, 1999)
Nominee for the Razzie Award for Worst Screenplay (Dean Devlin, Roland Emmerich, 1999)
Bad Movie Twins 
![[Placeholder Picture]](https://en.wikipedia.org/wiki/Troll_(film)#/media/File:TROLL_(1986_movie_poster).jpg){kind=link}